Graphic designer and his fear and creativity

Graphic designer and his fear and creativity

Fear can arise when a man is exposed to an embarrassing or humiliating situation, or when he watches others do the same, or when he receives horrific information. Frequency or long exposure to fear can lead a man to an imbalance, especially when a man resists fatigue, emotional setbacks, agitation, and organic changes as a result of his nervous systems, such as an increased adrenaline levels, abnormal heartbeats, all of which are accompanied by excessive sweating, dry mouth, and other symptoms. But that is not the case at all. The case is, how can the graphic designer cope with this fear? How can she control this fear in a positive way? How can he succeed in using his fears creatively?
This phenomenon is widely known to graphic designers, regardless of their professionalism, but it affects graphic design students head-on. However, it takes a particular form when put to work with all its problems. It comes from two main sources: the inadequacy of the student and the growing gap between what he has learned and the demands of the market. The other case is the inconsistency between the student and his colleagues, that is, the lack of a language of communication between the two. Insufficient knowledge of the designer's task would also create an embarrassing situation for the designer himself and lead him to frustration and tension. Like other creators, the graphic designer must live a unique state of creativity allowing him to reach his peak by producing complete work that embodies long-term hopes. Living in such a state would require him to develop a concept, which is a simple and direct means of visual communication that penetrates deep into the design of the receiver.

But, where can this be?

How is the concept evolving?

How can graphic designers achieve a state of creativity and invention? Both states are based primarily on the designer's ability to overcome the state of confusion and uncertainty that usually begins with the early stages of the evolution of concepts. Subsequently, this state would gradually develop and turn into fear. It is absolutely essential that the designer overcomes his fears by neglecting this state, which fear could reach.

To overcome this obstacle, the designer should have three main things:

1- Self-awareness,

2- self-acceptance, and

3- Self-respect.

These conditions and benefits can help the designer maintain his ideas and tools to execute them. By having such conditions, the designer will be able to use and use his personal potential and will be open to creative and artistic ideas and experiences. They would allow him to explore the truth and be responsible for his feelings, behaviors, and practices. These key aspects would provide an ideal framework to encourage the designer to work alone or as a team, with a positive effect and results that will guide him towards creativity. However, creativity, or say "creative thinking," and problem-solving skills depend in large part on the designer's ability to organize and classify information and extract information from it. important and useful. To do so, he must be familiar with the work required, his environment, the message he intends to convey and the means to execute his ideas. All this would give him a kind of self-protection and defense of his ideas. He would always be strong to break his confusion and fear.

When would fear and creativity be created?

Professional and non-professional designers share all these feelings, regardless of age or age. This is a fairly common phenomenon among workers in this creative field. But graphic designers would reflect these feelings very differently from others. They work with a keen sense of professionalism and efficiency to convey a certain message to a certain audience, to present a certain service or product in an attractive and distinctive way. Of course, it is not necessary for the graphic designer to believe in what he creates; instead, he should use his ideas or his daies to satisfy the customer's desires.
Here are the fear and worry. The good graphic designer may wish to achieve perfection in his works by introducing a simple and good idea, a unique theme, never used before, and by implementing it in a different way using distinctive techniques. We believe that these are the conditions for any creative work on the invention and that they reflect the personality of the inventor himself.